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Abraham is progress personified. And progress brings with it good and bad. Through the course of the novel, Two-Hill is radically changed by commerce and traffic, and Abraham is at the center of it all. He becomes a father figure to the town. Yet everyone in the community becomes indebted to him in one way or another. He then begins to dissipate, to not be a man at all, but a legend, a myth, a cliché of a kindly slave-owner of his antebellum past in a mansion up on the hill. Is he good? Is he bad? You may as well try to answer that question about Progress itself. It is neither and both. It is ambiguous and to be judged by the individual. Yet it is overwhelmingly powerful; of this there is no doubt. The main characters of this novel go on to experience success, happiness, loss, sadness, tragedy, and death, with Abraham always in their minds and somehow in control of their lives. The story is beautiful, funny, and haunting. It is Faulknerian to a degree. Its casually-paced tempo is compelling to the very end. Full with beautiful prose, wonderful dialogue and powerful imagery, Abraham Two-Hill is a sure literary success. |
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About the Author Jason Broadwater is a writer, a musician, and an entrepreneur.
He holds a BA and an MFA in writing and taught writing and English at
the secondary level for four years. Jason owns and operates Prose Productions,
a web and text solutions business. Mr. Broadwater makes his home in North
Carolina where he is currently channeling his energies into his literary
career. |
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